0
Skip to Content
Elizabeth Waggett Studio
ARTWORK
ABOUT
NEWS
CONTACT
SHOP EDITIONS
HAND FINISHED EDITIONS
EDITIONS
Elizabeth Waggett Studio
ARTWORK
ABOUT
NEWS
CONTACT
SHOP EDITIONS
HAND FINISHED EDITIONS
EDITIONS
ARTWORK
ABOUT
NEWS
CONTACT
Folder: SHOP EDITIONS
Back
HAND FINISHED EDITIONS
EDITIONS
Hand Finished Editions Where The Light Gets In - Artist's Proof
AR Exclusive flat.jpg Image 1 of 7
AR Exclusive flat.jpg
Where the light gets in sq.jpg Image 2 of 7
Where the light gets in sq.jpg
Where+the+light+gets+in.jpg Image 3 of 7
Where+the+light+gets+in.jpg
Bee Detail.jpg Image 4 of 7
Bee Detail.jpg
Bee Detail 2.jpg Image 5 of 7
Bee Detail 2.jpg
AR exclusive hand embellishment.jpg Image 6 of 7
AR exclusive hand embellishment.jpg
LONGHORN IN SITU wtlgicopy.jpg Image 7 of 7
LONGHORN IN SITU wtlgicopy.jpg
AR Exclusive flat.jpg
Where the light gets in sq.jpg
Where+the+light+gets+in.jpg
Bee Detail.jpg
Bee Detail 2.jpg
AR exclusive hand embellishment.jpg
LONGHORN IN SITU wtlgicopy.jpg

Where The Light Gets In - Artist's Proof

$2,750.00
Only 1 available

61 x 31” / 79 x 155cm 

Hand applied 22 karat gold, ink and graphite, over archival pigment inks on archival Hahnemuhle german etching 310 gsm cotton rag.

Ed. 30 + 3 APs 

This work is hand finished with 22k gold leaf, ink and graphite. This artist’s proof is a collectors piece. Each piece is unique.

Add To Cart

61 x 31” / 79 x 155cm 

Hand applied 22 karat gold, ink and graphite, over archival pigment inks on archival Hahnemuhle german etching 310 gsm cotton rag.

Ed. 30 + 3 APs 

This work is hand finished with 22k gold leaf, ink and graphite. This artist’s proof is a collectors piece. Each piece is unique.

61 x 31” / 79 x 155cm 

Hand applied 22 karat gold, ink and graphite, over archival pigment inks on archival Hahnemuhle german etching 310 gsm cotton rag.

Ed. 30 + 3 APs 

This work is hand finished with 22k gold leaf, ink and graphite. This artist’s proof is a collectors piece. Each piece is unique.

*Artist’s proofs are generally considered a status symbol in the world of art collecting. Their resale value is proportionally higher than the numbered editions.

Artists Proofs are impressions of a print taken during the printmaking process. They are used to evaluate the current state of a plate, stone, etc. while it is still being worked on by the artist. The artist will pull proofs to evaluate issues such as color and line and then alter the plate, stone, etc. accordingly until the print is perfected to the artist’s standards.

After perfecting the print, the artist will set aside a number of “artist’s proofs.” Though technically considered proofs, the quality of these prints is the same as those from the regular edition. Artist’s proofs are not included in the regular edition but are still of the same high quality; they are exactly the same as works from the regular edition, but are not numbered or noted as works from the regular edition.

Instead, artists will often designate artist’s proofs with the initials ‘A.P.’ for ‘Artist’s Proof’. The amount of artist’s proofs is 10% or less of the full edition, so for this edition of 100 there is only 10 APs.

Artist's proofs maintain their collectability and value because A) They are a small subset of the edition, and B) they usually come directly from the artist. In these days of mass marketing, getting something directly or even indirectly from the artist is rare.

Privacy Policy

Terms of Use

Terms of Service

© Elizabeth Waggett 2015-2025